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"A treasure trove full of interesting bits and pieces" (Eye for Film)

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"A hilarious buddy cop comedy with a ton of heart" (Ian Thomas Malone)

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"A fascinating behind-the-scenes look at the inner workings of one of America’s upper-echelon restaurants" (Forbes)

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"A fascinating look at how greed and the often-secretive world of art dealing collided and exploded into one of the biggest art scandals in history" (Culture Mix)

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"As joyful and buoyant as its music" (Hollywood Reporter)

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"A stunning little gem" (Hollywood Reporter)

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"A rich and illuminating piece of cultural history" (Hollywood Reporter)

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"A poignant testament to two friends' shared curiosity about the world" (Hollywood Reporter)

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"An exceptional slice of cinematic bliss" (First Showing)

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"A sincere and skillfully assembled tribute to a community's fortitude." (Hollywood Reporter)

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"Good Trouble shows that Lewis has never lost sight of the principles that are essential to his country's survival and well-being." (Time)

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"Simple, yet complex [it's] the kind of subtle brilliance that's still relevant over twenty years later." (Fresh Fiction)

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"An illuminating, musical embrace for the ages" (Slant Magazine)

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"Packed with talk and meaning" (Combustible Celluloid)

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"Fascinating, electrifying, and invaluable" (TV Guide)

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"Still urgent and necessary over 40 years since [its] release" (The Playlist)

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"Striking in its context and its mastery of filmmaking." (Manoel de Oliveira)

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"However endlessly filmmakers around the world have told that story, Mr. Zhang reimagines it with immense grace and turns it into a deeply felt tragedy..." (Janet Maslin, New York Times)

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"...a revelatory historical drama that offers a powerful template for social analysis in fiction." (The New Yorker)

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“A wicked comedy of manners.” (The New York Times)

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"A masterpiece of the French gangster genre... A tough and touching exploration of honor and friendship amongst thieves." (The New York Times)