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"A beautifully controlled drama about age, memory and forgiveness" (The Wrap)

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"Intimately observed. An up-close look at just what it takes, the relentless hard work and unwavering love." (Hollywood Reporter)

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"A classy feminist take on stalker thriller tropes" (Hollywood Reporter)

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"A sweeping work of care and one that is often piercing in its painful beauty" (Vox)

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"A tragicomic...combination of The Stepford Wives and an Errol Morris movie, it's one of the best documentaries you'll see this year" (Orlando Weekly)

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"As emotionally piercing as it is beautiful to behold" (Variety)

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"A slickly calibrated, classically structured dark comedy that again highlights Juan Jose Campanella's skill" (Hollywood Reporter)

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"A love letter to the world's biggest museum of contemporary art" (Black Girl Nerds)

Final Week
"The feel-good film of this or any festival has arrived, and it's a boozy-woozy marvel." (Times)

Final Week
"Kogut...displays a keen eye for satirizing Brazil’s rigid class structures" (Hollywood Reporter)

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"Spare, laconic, slightly ironic and never patronizing" (New York Times)

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"A beautiful, tantalizingly oblique, and thoroughly hypnotic film" (City Pages, Minneapolis/St. Paul)

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"The obsessive love story that charmed and wowed the Cannes crowds" (Time)