Elie Wiesel: Soul on Fire

Showtimes updated on Tuesday evenings
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OCOpen Captioned
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Elie Wiesel: Soul on Fire

Q&A with filmmaker Oren Rudavsky at 1:30PM on Sept. 6

Opens September 5

“Sometimes I’m afraid the tale might be forgotten. Sometimes I’m afraid it is forgotten already. So I’m telling it to relive it again.”Elie Wiesel

Elie Wiesel’s memoir Night, the best-known of his 57 books, brought his harrowing experiences in Auschwitz and Buchenwald and his subsequent spiritual journey to millions around the world, chronicling history in the most personal terms. Oren Rudavsky’s artful documentary portrait does the same, using Wiesel family archives, original interviews, and beautiful hand-painted animation. An unforgettable scene where a group of black high school students discuss their deeply engaged response to Wiesel’s writing is just one example of how the movie shows Wiesel’s enduring relevance.

SPECIAL EVENTS

Q&A with director Oren Rudavsky moderated by Variety writer Addie Morfoot

Q&A with director Oren Rudavsky moderated by Variety writer Addie Morfoot

Saturday, Sep. 6 2025, 1:30

  • Oren Rudavsky is the recipient of a Guggenheim Fellowship, and several National Endowment for the Humanities and National Endowment for the Arts grants. Rudavsky produced, directed, and co-wrote the NEH-funded American Masters documentary Joseph Pulitzer: Voice of the People, which was nominated for a Critics Choice award. His film Colliding Dreams, co-directed with Joseph Dorman, and The Ruins of Lifta, co-directed with Menachem Daum, were released theatrically in 2016. Colliding Dreams was broadcast on PBS in 2018. His NEH-funded film A Life Apart: Hasidism in America was short-listed for the Academy Awards and broadcast on PBS in 1997, and his ITVS-funded film Hiding and Seeking was nominated for an Independent Spirit award and was chosen for the PBS POV series. Both were co-directed with Menachem Daum. Rudavsky was the producer of media for the forty permanent film installations at the Russian Jewish Museum and Tolerance Center in Moscow, which opened in 2013. In 2009 Rudavsky was Producer/Writer of the two-part series Time for School 3, a twelve-year longitudinal study examining the education of seven children in the developing world for the PBS series Wide Angle. In 2006, Oren completed The Treatment, his fiction feature as Producer/Writer/Director, starring Chris Eigeman, Ian Holm, and Famke Janssen, which was awarded Best Film Made in New York at the Tribeca Film Festival. Rudavsky is currently producing the NEH-funded film Everything Seemed Possible, alongside director and editor Ramón Rivera Moret, about an era of profound cultural and social change in Puerto Rico in the 1950s-1960s.
  • Addie Morfoot has been covering the entertainment industry for the last 18 years. She currently serves as head of editorial coverage for Variety's Docs section. Her work has also appeared in The New York Times Magazine, The Boston Globe, The Wall Street Journal, The LA Times, Crain's New York Business, Documentary Magazine, and Adweek. Her personal essays have been published in The New York Times, Marie Claire, Salon, Cosmopolitan.com, Brain, Child, The LA Times, and The New York Press.

Tickets: $15 (members), $20 (nonmembers)

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PAST EVENTS

Opening Night Q&A with Columbia Film Professor Annette Insdorf, moderated by Jewish Film Festival Curator David Schwartz
Wednesday, Apr. 23 2025, 7:00
This event is over. View all of our upcoming events.

  • Annette Insdorf is Professor of Film at Columbia University's School of the Arts, and Moderator of the popular "Reel Pieces" series at the 92nd Street Y, where she has interviewed 300 film celebrities. She is the author of the landmark study, Indelible Shadows: Film and the Holocaust (with a foreword by Elie Wiesel); Double Lives, Second Chances: The Cinema of Krzysztof Kieslowski; Francois Truffaut, a study of the French director's work; Philip Kaufman; and Intimations: The Cinema of Wojciech Has. Her latest book is Cinematic Overtures: How to Read Opening Scenes, currently in its fourth printing.
  • David Schwartz is a New York-based film curator and critic. He is curator-at-large for Museum of the Moving Image (MoMI), where he worked for many years as Chief Curator. In 2019, Schwartz received a Career Achievement Award from the New York Film Critics Circle for his tenure at MoMI. He writes about film for Screen Slate, Reverse Shot, MUBI Notebook, and Film Comment, edited the book David Cronenberg: Interviews, and taught film history at Purchase College and New York University. He is on the Board of Directors for The Film-makers’ Cooperative.
 


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