Franz (Sami Frey) and Arthur (Claude Brasseur) don’t have money, jobs, or prospects, but they do have a black convertible and a shared romantic interest in Odile (Anna Karina, in her fourth of seven feature collaborations with Godard). When Odile lets slip that a stash of cash is ineptly hidden in the isolated villa where she lives, the two men hatch a plan to take it for themselves. ­One of the most beloved entries in the French Nouvelle Vague, Godard once described his classic homage to American crime thrillers as “Alice in Wonderland meets Franz Kafka.” Showing in a new DCP restoration courtesy of Rialto Pictures.