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SEPT/OCT '08 MASTERLIST
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AN EVENING WITH EUGENE JARECKI
Tues. Oct. 21, 7:15
One of the most popular and engaging political speakers at the Burns,
Eugene Jarecki (Why We Fight, The Trials Of Henry Kissinger)
returns for an evening of film
clips and discussion on the subject of his new book, The American Way
of War: Guided Missiles, Misguided Men, and a Republic in Peril. In
his first New York area book appearance, his talk will range from issues of politics to questions of media; from the challenges that America faces, to the nature of internet, film, and modern communication. As a public intellectual focusing on foreign policy and the dangers of militarism, Jarecki has been featured on Bill Moyer's "NOW," "The Daily Show," "Charlie Rose," "NPR Marketplace," and "Fox and Friends." His writing has appeared in the New York Times, The Financial Times, Parade Magazine, Playboy, and The Huffington Post. In this season of heightened interest in politics and economics, it's an evening you won't want to miss!
Books will be on sale for Jarecki to sign after the discussion. View the trailer for the book
Tickets: $9 (members), $13 (nonmembers)
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ALEC BALDWIN: A TRIBUTE TO PAUL NEWMAN
Wed. Oct. 29 at 7:15
What made Paul Newman such a quintessential movie star? Alec Baldwin has some answers to that question. Baldwin will speak with Janet Maslin about Newman's stature and his legacy after a screening of The Long Hot Summer, a film in which the young, radiant Newman did some of his finest smoldering—opposite Joanne Woodward. Alec Baldwin will also speak about A Promise to Ourselves, his new book about the pitfalls of divorce law.
Q&A w/Alec Baldwin and New York Times critic Janet Maslin. Book signing to follow.
THE LONG HOT SUMMER
Martin Ritt. 1958. 115 min. NR. US.
Paul Newman and Joanne Woodward's first cinematic collaboration was in this adaptation of several William Faulkner stories. Newman is the wanderer who takes a job on patriarch Orson Welles' spread and attracts the attention of Welles' daughter, Woodward. This sprawling drama of love in the Deep South also stars Anthony Franciosa, Angela Lansbury, and Lee Remick.
Tickets: $20 (members), $25 (nonmembers)
JBFC Members with Priority Purchase benefit may LOG IN and purchase tickets starting Fri. Oct. 17. Remaining tickets will go on sale Thurs. Oct. 23 at 12:00 noon. |
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Jonathan Demme's "Rarely Seen Cinema"
ZATOICHI Sun. Oct. 26 at 5:00
Takeshi Kitano. 2003. 116 m. R. Japan, in Japanese with subtitles.
"A riot of samurai lore, peppered with quicksilver fights and winking humor." (New York Magazine)
This big-budget celebration of the 19th-century blind warrior Zatoichi features spectacular swordplay and a rich lode of emotion. Starring cult filmmaker, writer, and actor Takeshi "Beat" Kitano, this is "the rare exploitation film that values relationships over bloodshed. But the bloodshed is still pretty awesome" (San Francisco Chronicle).
Q&A w/host Jonathan Demme.
Tickets: $9 (members), $13 (nonmembers)
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Preview with Filmmaker
SLUMDOG MILLIONAIRE Fri. Oct. 24 at 7:30
Danny Boyle. 2008. 120 min. NR. UK/US.
"There's never been anything like this densely detailed phantasmagoria - groundbreaking in substance, damned near earth-shaking in style." (Wall Street Journal)
Winner of the Cadillac People's Choice Award at Toronto Film Festival, Slumdog Millionaire is the story of Jamal Malik (Dev Patel), an illiterate 18 year-old orphan from the slums of Mumbai who, with little expectation of winning, enter's India's version of "Who Wants to Be a Millionaire" to prove his love for his girlfriend, an ardent fan of the show. The novel, Q&A, by Vikas Swarup was adapted for the screen by Simon Beaufoy (Full Monty).
Q&A director Danny Boyle (28 Days Later, Trainspotting) and New York Times critic Janet Maslin.
Tickets: $15 (members), $25 (nonmembers)
Official website/trailer |
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Preview with special guests
THE WORLD UNSEEN Tues. Oct. 28 at 7:15
Shamim Sarif. 2008. 94 min. PG-13. South Africa.
"...a rare combination of intricate character study and engaging narrative." (British Film Institute)
In the pressure cooker of apartheid South Africa, two women meet and their worlds are turned upside down. Miriam (Lisa Ray) is a traditional Indian mother - hardworking and self-effacing. Amina (Sheetal Sheth) breaks all the rules by driving a taxi and setting up a cafe with a local black man. In the face of outraged disapproval, their friendship flourishes.
Director Shamim Sarif and actress Lisa Ray (Water) will be interviewed by New York Times critic Janet Maslin.
Tickets: $12 (members), $16 (nonmembers).
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STEALING AMERICA: VOTE BY VOTE
Thurs. Oct. 16 at 7:30
Dorothy Fadiman. 2008. 90 min. NR. US.
"The year's scariest movie....Stealing will send you out of the theater terrified for the future of democracy in America." (Hollywood Reporter)
This new documentary on the shadowy world of voting irregularities is by emmy-winning and Academy Award-nominated director Dorothy Fadiman. Including interviews with Robert Kennedy Jr., Greg Palast, Paul Craig Roberts, John Zogby and others, Stealing America chronicles an unsettling pattern of electoral irregularities going back to 1996, pointing straight at the heart of the integrity of the voting process. An investigative piece on one of the least covered issues of this over-heated election cycle.
Tickets: $6 (members), $10 (nonmembers)
Official website/trailer |
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HAPPY-GO-LUCKY Opens Fri. Oct. 17
Mike Leigh. 2008. 118 min. UK.
"A delightful comedy that sinks its teeth into your heart with unexpected power." (Times, UK)
Fresh from raves at the New York Film Festival, Happy-Go-Lucky is a comedic departure for director Mike Leigh (Secrets and Lies, Vera Drake). Sally Hawkins (All or Nothing) won Best Actress at the Berlin Intl. Film Festival for her portrayal of Poppy, a North London schoolteacher whose childlike enthusiasm and relentlessly positive approach to life have very different effects on the people who surround her. Also featuring Alexis Zegerman and Eddie Marsan.
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A SECRET Opens Fri. Oct. 3
Claude Miller. 2008. 105 min. NR. France, in French.
"A harrowing and wrenching coming-of-age story." (Los Angeles Times)
Based on the book Memory: A Novel by France's best-selling author Philippe Grimbert, A Secret is the devastating autobiographical account of a boy in postwar Paris who discovers his family's history of terrible wartime tragedy and guilt. Featuring Mathieu Amalric (The Diving Bell and the Butterfly) and Ludivine Sagnier (8 Women, Swimming Pool, A Girl Cut in Two), this fine drama uses a complex series of flashbacks to explore how Jewish identity and survivors' guilt take a toll on a couple—and then on their son. |
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Rachel Getting Married |
Exclusive Westchester Engagement
RACHEL GETTING MARRIED
Opens Fri. Oct. 10
Jonathan Demme. 2008. 116 min. R. US.
"It has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare." (New York Times)
An ex-model (Anne Hathaway) who has been in and out of rehab for 10 years, returns home for the wedding of her sister. With her black-comic one-liners and knack for bombshell drama, she awakens long-simmering tensions in the family dynamic during what would have been an idyllic weekend. The ensemble cast also includes Debra Winger, Rosemarie DeWitt, Bill Irwin, and Anna Deavere Smith.
Official website/trailer | New York Times review |
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The Duchess |
Exclusive Westchester Engagement
THE DUCHESS
Opens Fri. Sept. 26
Saul Dibb. 2008. 105 min. PG-13. US.
Director Saul Dibb takes the helm for this period drama adapted from Amanda Foreman’s best-selling novel, Georgiana: Duchess of Devonshire. The film involves the romantic entanglements of a popular, beautiful woman (Keira Knightley) whose unhappy marriage to the Duke of Devonshire (Ralph Fiennes) threatens to erupt into scandal when she falls for a young politician. |
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Trouble the Water
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Exclusive One-Week Engagement
TROUBLE THE WATER Opens Fri. Sept. 19
Carl Deal & Tia Lessin. 2008. 90 min. US.
“Superb....One of the best American documentaries in recent memory” (New York Times)
Sundance Grand Jury Prize winner.
The day before Hurricane Katrina made landfall, Kimberly Rivers Roberts, an aspiring rap artist, turned her new video camera on herself and her 9th Ward neighbors and continued to film throughout the rise of the floodwaters, the retreat to higher ground and the return to the devastation. Directors Tia Lessin and Carl Deal (producers of Fahrenheit 9/11 and Bowling for Columbine) have woven her footage into a redemptive tale of self-described street hustlers (Roberts and her husband) who survive the storm and seize a chance for a new beginning.
Official website/trailer | New York Times review |
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I Served the King of England
SHOWTIMES/TICKETS
Support the JBFC and the Village Bookstore! Pick up a copy of I Served The King Of England by Bohumil Hrabal in the theater lobby during the film's run. |
Exclusive Westchester Engagement
I SERVED THE KING OF ENGLAND
Opens Fri. Sept. 12
Jirí Menzel. 2008. 120 min. R. Czech Republic. In Czech, with subtitles.
"A mischievously hedonistic, Chaplinesque farce....a rousing picaresque of life's beautiful-sad ironies." (Village Voice)
Czech filmmaker Jirí Menzel's adaptation of the novel by the late Bohumil Hrabal is a dark comic farce that traces the rise of an ambitious young waiter traversing the halls of power in 1930's Czech society.
Official website/trailer | Village Voice review |
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MOMMA'S MAN Opens Fri. Sept. 5
Azazel Jacobs. 2008. 94 min. NR. US
"A beautiful, wise, shaggy, poker-faced comedy of discombobulation" (Entertainment Weekly)
A thirty-ish young husband and father (Matt Boren) stops off at his parents’ loft during a business trip to New York then finds himself emotionally unable to leave. While his doting mother (the director’s real mother) is more than happy to enable his procrastination, his father (the director’s real father) grows suspicious of his sons changes of plans.
Official website/trailer |
Entertainment Weekly review |
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Preview with director Jonathan Demme and special guests
RACHEL GETTING MARRIED
Tues. Sept. 9 at 7:30
Jonathan Demme. 2008. 116 min. R. US.
An ex-model (Anne Hathaway) who has been in and out of rehab for 10 years, returns home for the wedding of her sister. With her black-comic one-liners and knack for bombshell drama, she awakens long-simmering tensions in the family dynamic during what would have been an idyllic weekend. The ensemble cast also includes Debra Winger, Rosemarie DeWitt, Bill Irwin, and Anna Deavere Smith. Opens in theaters Oct. 3.
Official website/trailer
Q&A w/director Jonathan Demme, producer Neda Armian, screenwriter Jenny Lumet, actor Bill Irwin, editor Tim Squyres, music director/editor Suzana Peric, cinematographer Declan Quinn, composer Zafer Tawil, and other special guests.
Tickets $15 (members), $25 (nonmembers)
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Preview with director
THE LUCKY ONES Sun. Sept. 14 at 7:00
Neil Burger. 2008. 115 min. R. US.
A timely drama about life in America today, The Lucky Ones stars Rachel McAdams, Tim Robbins, and Michael Peña as three soldiers on leave trying to make sense of their lives during an unexpected road trip across the United States. A humorous, moving portrayal of the challenges of coming home, The Lucky Ones is directed by Neil Burger (The Illusionist) from a script by Burger and Dirk Wittenborn. Opens in theaters Sept. 26.
Official website/trailer
Q&A w/director Neil Burger and New York Times critic Janet Maslin.
Tickets: $12 (members), $16 (nonmembers) |
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Preview with director
BATTLE IN SEATTLE Tues. Sept. 16 at 7:15
Stuart Townsend. 2008. 99 min. R. US.
In 1999, five days rocked the world as tens of thousands of demonstrators took to the streets of Seattle in protest of the World Trade Organization (WTO). Environmentalists, consumer advocates, labor unions, students, anarchists, and pacifists all converged, bringing attention to how the WTO’s laws were affecting democracy around the world. Director Stuart Townsend merges footage of the real event with an ensemble cast depicting his fictional narrative to illustrate that, even against incredible odds, ordinary people can change the world.
Official website/trailer
Q&A w/director Stuart Townsend and New York Times critic Janet Maslin. Reception to follow.
Tickets: $15 (members), $20 (nonmembers)
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Zack and Miri Make a Porno
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Preview with Filmmaker Kevin Smith
ZACK AND MIRI MAKE A PORNO
Sept. 10 at 7:30
Kevin Smith. 2008. 101 min. R. US.
Seth Rogan (Knocked Up, Superbad) and Elizabeth Banks (The 40-Year-Old Virgin) play lifelong platonic friends who get into the amateur porn business to combat their rising debt, only to realize their real feelings for each other as the cameras roll. The film opens in theaters on Oct. 31.
Preview and Q&A w/filmmaker Kevin Smith and New York Times critic Janet Maslin.
Tickets: $20 (members), $30 (nonmembers) |
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The Duchess
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Preview Filmmaker Event
THE DUCHESS
Sept. 11 at 7:15
Saul Dibb. 2008. 105 min. PG-13. US.
Director Saul Dibb takes the helm for this period drama adapted from Amanda Foreman’s best-selling novel, Georgiana: Duchess of Devonshire. The film involves the romantic entanglements of a popular, beautiful woman (Keira Knightley) whose unhappy marriage to the Duke of Devonshire (Ralph Fiennes) threatens to erupt into scandal when she falls for a young politician. The film opens in theaters on Sept.19.
Preview and Q&A w/filmmaker Saul Dibb, author Amanda Foreman and New York Times critic Janet Maslin.
Tickets: $15 (members), $20 (nonmembers) |
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Under the Same Moon w/panel discussion Sept. 17
The New "Selling of the President" 2008 w/panel discussion Sept. 18
Under Our Skin w/Dr. Daniel Cameron Sept. 22
The Strangest Bullet in My Skull w/Christopher Funderburg, Andrew Katz & Robert Cordell Sept. 25
Speaker Events Come see a film and join in a discussion about it afterward
Journal News Film Club This monthly film club has two seasons, January - June and July – December. The current season is Sold Out. Please click on the link for more details and to learn how you can subscribe in the future.
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Presented in collaboration with Neighbors Link, www.neighborslink.org, 914.666.3410
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UNDER THE SAME MOON
Wed., Sept. 17, 7:15
Film and panel discussion on the struggles of immigrant families
Patricia Riggen. 2007. 109 m. PG-13. Mexico/US, in English/Spanish with subtitles. Fox Searchlight.
Carlitos hasn't seen his mother for four years, ever since she left Mexico for the US to work as a housekeeper. The nine-year-old decides to take his fate into his own hands and heads north to find her. This dramatic tale of yearning and courage "is a vivid reminder of the hell Mexicans put themselves through to live in the United States" (San Francisco Chronicle).
PANEL: Esmeralda Santiago, author, screenwriter, and JBFC board member
Carola Otero Bracco, Neighbors Link executive director
Robin Bikkal, Westchester County Hispanic Advisory Board chair
A Neighbors Link client
Join us upstairs in the Jane Peck Gallery for a dessert reception after the discussion.
Tickets: $6 (members), $10 (nonmembers)
This event is part of "Latin Links: Family Journeys of Immigration and Integration," a Neighbors Link series celebrating Latin culture, creativity, and community. |
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Presented in collaboration with League of Woman Voters of Westchester, www.lwvwestchester.org
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THE NEW "SELLING OF THE PRESIDENT" 2008 Thurs., Sept. 18, 8:00
Clips and panel discussion
Blogging, YouTube, email, and Internet viral campaigns have now joined TV commercials as essential influences in the process of electing an American president. But what does that mean? Does the proliferation of unfettered media represent an expansion of the democratic process - a boon for Everyman participation - or has it created a new Wild West where anything goes? Or both? Are we more informed ...or more manipulated? Join our panel for a discussion on navigating the Brave New World of electioneering, circa 2008. It's an evening of commercials and Internet clips from the Obama/McCain contest interspersed with conversation, speculation, and interpretation as we try to sort it all out. An entertaining, provocative guide to this moment in American political history.
PANEL: David Schwartz, chief curator, Museum of the Moving Image; Allison Fine, author of Rebooting America and CEO of E-Volve Foundation; Steve Apkon, executive director, Jacob Burns Film Center.
Tickets: $9 (members), $13 (nonmembers) |
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Support the JBFC and the Village Bookstore! Pick up a discounted copy of the book Cure Unknown: Inside the Lyme Epidemic in the theater lobby.
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UNDER OUR SKIN Mon., Sept. 22, 7:30
Film followed by discussion with Lyme disease expert Dr. Daniel Cameron
Andy Abrahams Wilson. 2008. 104 m. NR. US. Open Eye Pictures.
A dramatic tale of microbes, medicine, and money, this eye-opening film investigates the untold story of Lyme disease, one of the most misunderstood and controversial illnesses of our time. While much of the medical establishment holds that the disease is easy to detect and treat, thousands of patients go undiagnosed - or misdiagnosed - every year, some requiring long-term care amid dismal symptoms. This powerful film follows the stories of patients and physicians battling for their lives and livelihoods and offers an often terrifying look at the science and politics of the disease.
Q&A Dr. Daniel Cameron is an internist and epidemiologist in private practice in Mt. Kisco. He has focused on Lyme disease since 1988, treating patients, conducting clinical trials, and publishing articles. He is a director of the International Lyme and Associated Diseases Society.
Tickets: $9 (members), $13 (nonmembers) |
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Work-in-progress screening
THE STRANGEST BULLET IN MY SKULL Thurs., Sept. 25, 7:30
The debut feature of JBFC film programmer Christopher Funderburg
Christopher Funderburg. 2008. 78 m. NR. US. Alphasixty Cinema.
A betrayal. A heist. A hit. Made on a shoestring, this cerebral crime thriller brings together three narrative strands and a host of characters including a beleaguered office drone, a treacherous stripper, a Russian mafioso, a fatalistic assassin, a cloned bodyguard, and a pair of married junkies - and they're all mixed up with a corporate scientist whose calculations predict the future. The Strangest Bullet in My Skull, both action-packed and enigmatic, is equally inspired by yakuza gangster films, surrealist comedies, and philosophical science fiction.
Q&A filmmaker Christopher Funderburg and actors Andrew Katz and Robert Cordell
Tickets: $6 (members), $10 (nonmembers) |
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SPEAKERS AT THE BURNS
On a regular basis, the Jacob Burns Film Center invites film scholars, critics, filmmakers, and other artists to present the films being shown at the center and lead discussions following their screening. Tickets for these events are $9/members; $13/non-members unless otherwise noted. Click on titles for more info and to purchase tickets.
THE TESTAMENT OF DR. MABUSE (Sept. 12, 7:15) JBFC educator/Vassar professor Vicente Rodriguez Ortega
LITTLE FUGITIVE (Sept. 24, 7:30) filmmaker Joanna Lipper
NOTE BY NOTE (Oct. 10, 7:00) concert pianist Michael Boriskin, filmmaker Ben Niles
MOMZ HOT ROCKS (Oct. 20, 7:30) filmmaker Kate Perotti, rock-and-roll mom Joy Rose
OLIVIER MESSIAEN ET LES OISEAUX (Oct. 21, 7:30) pianist/Copland House executive director Michael Boriskin
MUSIC FROM THE INSIDE OUT (Oct. 22, 7:30) Westchester Philharmonic musicians
REEL TALKS (postfilm discussion led by JBFC staff )
VIVRE SA VIE (Aug. 13, 7:15) JBFC programmer Chris Funderburg
M (Sept. 15, 7:15): Programmer Christopher Funderburg
THIEVES LIKE US (Oct. 1, 7:15) Programmer Christopher Funderburg
DIRECT ANIMATION (Oct. 16, 7:15) Programmer Christopher Funderburg
GLENN GOULD: HEREAFTER (Oct. 29, 7:30) Programming Director Brian Ackerman
BOOK CHAT FOR FAMILIES (postfilm book discussion)
HOWL'S MOVING CASTLE (Sept. 28, noon) educator Anne Marie Santoro |
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Nausicaä of the Valley of the Wind Sept. 6, 7, 13, 14
Howl's Moving Castle Sept. 20, 21, 27, *28
*Book Chat for Kids w/Anne Marie Santoro
Spirited Away Oct. 4, 5, 11-13
My Neighbor Totoro Oct.18, 19, 25, 26
All films are at 12:00 noon unless otherwise noted.
JBFC family programs are sponsored by Club Fit
Group Tickets are available for this series.
Click Here for a flyer to print out for your organization (pdf) |
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NAUSICAÄ OF THE VALLEY OF THE WIND Sept. 6, 7, 13, 14
Hayao Miyazaki. 1984. 116 m. PG. Japan, in English. Buena Vista.
Princess Nausicaä is a daring, sensitive heroine in a bleak world devastated by war and infested with monstrous insects. Only she can see a viable future for the planet - and, like many of Miyazaki's female characters - she leads the way with skill, good sense, and charm. |
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HOWL'S MOVING CASTLE
Sept. 20, 21, 27, *28
Hayao Miyazaki. 2001. 125 m. PG. Japan, in Japanese with subtitles. Buena Vista.
Going down one rabbit hole after another, this tale of a girl who is cursed and turned into an old woman by a jealous witch could only have been made by Miyazaki at the top of his form. Sometimes fantastically weird, it's always intensely poetic and richly imaginative.
*Book Chat for Families Sun., Sept. 28, 12:00 noon: After Howl's Moving Castle, Anne Marie Santoro, acclaimed educator and founder of our third-grade visual literacy program, SEE HEAR FEEL FILM, will lead a talk about the film and the book from which it was adapted.
Tickets: $6 (members), $10 (nonmembers)
HEY KIDS! Show us any book report you've written, and we'll give you a free child's ticket to this screening. |
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SPIRITED AWAY Oct. 4, 5, 11-13
Hayao Miyazaki. 2001. 119 m. PG. Japan, in Japanese with subtitles. Buena Vista.
Funny and entertaining, beautiful and deep - here's a wondrous fantasy about a young girl trapped in a strange spirit world who is forced to rely on courage she never knew she had. Winner of the 2002 Academy Award for Best Animated Feature. |
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MY NEIGHBOR TOTORO
Oct. 18, 19, 25, 26
Hayao Miyazaki. 1988. 86 m. G. Japan, in English. Buena Vista.
When their mother is hospitalized, two sisters move to the country with their father, find a protector in the form of a forest spirit who resembles an enormous bunny rabbit, and take an enchanted airborne journey on the multilegged Catbus. A rare delight. |
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JBFC family programs are sponsored by

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FRITZ LANG IN GERMANY
Sept. 12-25
Master of the medium: Ten early films spanning multiple genres
The Testament of Dr. Mabuse Sept. *12-14
*Q&A Sept 12 at 7:15 w/Vicente Rodriguez Ortega
Vier um die Frau Sept. 12 & 22
M Sept. 13 & *15
*Reel Talk Sept. 15 at 7:15 w/Chris Funderburg
The Spiders, Part 1: The Golden Lake Sept. 14
The Spiders, Part 2: The Diamond Ship Sept. 14
Die Nibelungen: Siegfried Sept. 17 w/Live Piano by Ben Model
Die Nibelungen: Krimheld's Revenge Sept. 18 w/Live Piano by Ben Model
Destiny Sept. 19 w/Live Piano by Ben Model
The 1,000 Eyes of Dr. Mabuse Sept. 20, 25
Metropolis Sept. 21, 23, 24
Sponsored by the Westchester Community Foundation and made possible through The Rudyard and Emanuella Reimss Fund, which is dedicated to promoting Germanic culture in Westchester County.

While you're in the theater, buy the book, Fritz Lang: Interviews, at a discount and support the JBFC and the Village Bookstore. More info...

Fritz Lang Interviews, a book edited by Barry Keith Grant, will be available for purchase in the
lobby for $20 with tax, which is a 15% discount. Book selections at JBFC are made possible
through a special arrangement with The Village Bookstore, 10 Washington Avenue, Pleasantville.
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THE TESTAMENT OF DR. MABUSE
Sept. 12-14
1933. 122 m. NR. Germany, in German with subtitles. Kino International.
A highlight of Lang's German-language work, this tale of the elusive criminal mastermind Dr. Mabuse foreshadows the director's later American incarnation as a master of film noir. It's a twisty thriller in which a police inspector follows all the clues to a suspect who couldn't possibly be their man...or could he? This 1933 film is imbued with a daring social critique: Lang put Nazi slogans into the mouth of his mentally unbalanced villain.
Q&A Sept. 12, 7:15: JBFC educator/Vassar professor Vicente Rodriguez Ortega, who will introduce the series with a conversation about Fritz Lang.
Tickets: $6 (members), $10 (nonmembers) |
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VIER UM DIE FRAU Sept. 12 & 22
1921. NR. Germany. Silent. Private archive.
A gorgeous hand-tinted print of one of Lang's earliest surviving films - long thought to be lost for good - about a financially struggling man who buys his adored wife some lavish jewelry with forged money. Lang's constant theme of destiny collides with deceit, crime, and jealousy when a con man, a thief, and a suspected adulterer enter the picture. One of the first examples of Lang's deep interest in those on the bottom of the social heap. |
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M Sept. 13 & 15
1931. 110 m. NR. Germany, in German with subtitles. Kino International.
Lang's first sound film is arguably his best: Peter Lorre gives an iconic performance as a serial child killer wracked by guilt. Not only are the police after him, but the criminal underworld is equally keen on putting an end to his reign of terror - he gives even crime a bad name. As in many of Lang's early films, M's gripping treatment of the subject is decades ahead of its time. It's one of the most nuanced looks at the balance between good and evil ever committed to film.
Q&A Sept. 15, 7:15: REEL TALK with JBFC Programmer Christopher Funderburg
Tickets: $6 (members), $10 (nonmembers) |
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THE SPIDERS, PART 1:
THE GOLDEN LAKE
Sun., Sept. 14, 3:00
1919. 57 m. NR. Germany. Silent with music. EmGee Film Library.
The inspiration for the Indiana Jones series (Spielberg even named one of his bad guys after this film's villain), Spiders has a hat-wearing hero who vies with a sinister organization in a race to find an ancient, mystical treasure. It's an action-packed adventure with the hero pulling off breathtaking stunts on horseback, at cliffside, and, most spectacularly, up the rope dangling from a hot-air balloon and then back out by parachute. |
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THE SPIDERS, PART 2:
THE DIAMOND SHIP
Sun., Sept. 14, 4:30
1920. 83 m. NR. Germany. Silent with music. EmGee Film Library.
The second episode in the proposed four-part series (never completed) takes our hero Kai Hoog deeper into the world of the mysterious criminal syndicate, the Spiders, and its beautiful, demonic leader. After uncovering a secret world of opium dens and illegal casinos that lies hidden beneath the Chinese quarter of London, Hoog escapes to the Falklands in search of the diamond treasure of dead pirates - and it's every bit as rollicking and fun as the first episode. |
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DIE NIBELUNGEN: SIEGFRIED
Live Piano Accompaniment
Wed., Sept. 17
1924. 128 m. NR. Germany. Silent with live piano accompaniment. EmGee Film Library.
Based on the same source as Richard Wagner's Der Ring des Nibelungen, this stirring saga tells the story of Prince Siegfried and his quest to marry the beautiful Princess Kriemheld. Lang lends appropriate bombast to the enduring Teutonic myth - one of the highlights is Siegfried slaying a dragon with a magic sword and bathing in its blood to achieve invulnerability - while the beautiful sets and trick photography conjure up a stirring fantasy world.
Ben Model, resident silent film accompanist at the Museum of Modern Art for more than two decades, will perform his original score to the film.
Tickets: $9 (members), $13 (nonmembers) |
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DIE NIBELUNGEN:
KRIEMHELD'S REVENGE
Thurs., Sept. 18
Live Piano Accompaniment
1924. 96 m. NR. Germany. Silent with live piano accompaniment. EmGee Film Library.
Grief-stricken after the events of Die Nibelungen: Siegfried, Princess Kriemheld sets her sights on vengeance. Her first move is to accept a marriage proposal from Attila the Hun (seriously!), and the film continuously ups the ante before hurtling into an explosive climax. It's a striking amalgam of Lang's best qualities, combining the visual extravagance of Metropolis, the poetry of Destiny, and the white-hot fatalism of his film noirs with a dash of M's ironic take on good and evil.
Ben Model will perform his original score to the film.
Tickets: $9 (members), $13 (nonmembers) |
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DESTINY Fri., Sept. 19
Live Piano Accompaniment
1921. 99 m. NR. Germany. Silent with live piano accompaniment. Private archive.
Steeped in the tradition of the Brothers Grimm and Hans Christian Andersen, Destiny's story hinges on a young woman whose lover is led away from their small town by a mysterious stranger. On her fantastical journey to find him, the settings zip from Quattrocento Venice to the world of The Arabian Nights to a mystical version of ancient China. Many critics argue that Destiny, not Metropolis, is Lang's true silent-era masterpiece.
Ben Model will perform his original score to the film.
Tickets: $9 (members), $13 (nonmembers) |
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THE 1,000 EYES OF DR. MABUSE
Sept. 20, 25
1960. 103 m. NR. Germany, in German with subtitles. EmGee Film Library.
Inspired by the Nazis' real-life plans to install hidden microphones in foreign embassies, Lang's final Mabuse film (and the final film of his career) finds the criminal mastermind planting hidden cameras all over the city. His plan keeps him one step ahead of the police and gives him an intimidating air of supernatural clairvoyance. Lang presciently imagines a future world under constant surveillance and a deadlock between police and increasingly sophisticated criminals. |
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METROPOLIS Sept. 21, 23, 24
1927. 124 m. NR. Germany. Silent with music. Kino International.
A towering achievement of silent cinema, Lang's epic allegory not only invented the genre of science-fiction film as we know it but pushed the visual possibilities of the medium beyond what was previously conceivable. A dystopian fantasy set around the year 2000, it finds the working classes struggling through wretched conditions to facilitate the lavish world of their upper-crust masters until a passionate prophet foretells a savior. Metropolis is a mind-blowing blockbuster overstuffed with mad scientists, futuristic cityscapes, a robotic temptress, mass revolt - and a tender love story, to boot. |
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UNITED ARTISTS: THE STUDIO AT 90
Sept. 26-Oct. 9
"United Artists' adventurous tradition is on glorious display"
(Dave Kehr, New York Times)
Annie Hall Sept. 26, 28, 29
The Great Escape Sept. 26, 30
Midnight Cowboy Sept. 27, 28
The Pink Panther Sept. 27, 28
Thieves Like Us Sept. 27, *Oct. 1
Q&A Oct. 1, 7:15: Reel Talk w/Chris Funderburg
Sunday Bloody Sunday Sept. 27, Oct. 2
Marty Oct. 3, 4
Last Tango in Paris Oct. 3, 9
Some Like It Hot Oct. 4, 5
The Thomas Crown Affair Oct. 4, 5
Raging Bull Oct. 4, 7
The Magnificent Seven Oct. 5, 8
Since 1919 United Artists has engaged in "some of the most varied and high-quality mainstream picture making in the history of American movies" (New York Sun). Presenting films from the '50s through 1980, this series is an opportunity to re-view these hugely entertaining, provocative, and beloved movies, back on the big screen. We've got films by Billy Wilder, Martin Scorsese, Woody Allen, Bernardo Bertolucci, and others - and three of the funniest comedies ever made: Some Like It Hot, The Pink Panther, and Annie Hall. Featuring new prints struck for the 90th anniversary. |

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ANNIE HALL Sept. 26, 28, 29
Woody Allen. 1977. 93 m. PG. US. MGM.
"Just about everyone's favorite Woody Allen movie." (Roger Ebert)
After Sleeper and Bananas, everyone knew Woody Allen made the world's funniest movies, but in this romantic comedy he revealed his overall filmmaking skill as well. Garnering four Academy Awards - even beating Star Wars for Best Picture - Annie Hall bounces along with unforgettable gags, creative filmmaking, and terrific performances by Diane Keaton, Allen, and New York City itself. As fresh and alive as ever. |
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THE GREAT ESCAPE Sept. 26, 30
John Sturges. 1963. 172 m. NR. US. MGM.
"A stellar combination of Sturges' pacing, Elmer Bernstein's score, and strong performances." (Entertainment Weekly)
The definitive POW movie, this huge action film is based on a true story about British and American flyers trying to escape a maximum-security German prison camp. It features an all-star ensemble cast including Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, James Coburn, and others, but what most people remember is McQueen's exhilarating motorcycle bid for freedom in the performance that made him an icon. |
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MIDNIGHT COWBOY Sept. 27, 28
John Schlesinger. 1969. 113 m. R. US. MGM.
"Midnight Cowboy remains one of a handful of films that stay in our memory after the others have evaporated." (Roger Ebert)
When UA released both Midnight Cowboy and Last Tango in Paris with shocking X ratings, people came for the buzz, but they stayed for the acting. Jon Voight's career was established by his performance as the Texas stud wannabe Joe Buck, and Dustin Hoffman, fresh from his triumph in The Graduate, proved his mettle as the cynical two-bit hustler Ratso Rizzo. While the passage of decades hasn't dulled this gritty, unrelenting look at the underbelly of urban life, times have changed, and Cowboy is now rated R. |
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THE PINK PANTHER Sept. 27, 28
Blake Edwards. 1963. 115 m. NR. UK/US. MGM.
"A gem of madcap mayhem." (Premiere)
In the first of five Pink Panther films, Peter Sellers introduces the epically bungling French inspector Jacques Clouseau. He's assigned to catch an ultrasuave jewel thief (David Niven) who's after a famous gem with a panther-shaped flaw. Sellers was so popular in this role that the rest of the series - originally conceived as a vehicle for Niven - was made to center on Clouseau instead. And the pink cat in the credits went on to have at least nine lives of his own. |
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THIEVES LIKE US Sept. 27, *Oct. 1
Robert Altman. 1974. 123 m. R. US. MGM.
"An engaging, sharply observed account of a long-lost time." (New York Times)
Robert Altman's often-overlooked tale of Depression-era escaped convicts-turned-bank-robbers was part of his 1970s winning streak (M*A*S*H, McCabe & Mrs. Miller, Nashville...). Centered on the love story between an unforgettable Keith Carradine and a charmingly awkward Shelley Duvall, this tender, atmospheric drama is much more intimate than Altman's sprawling films, but it wields the same power.
*Q&A Oct. 1, 7:15: Reel Talk with JBFC Programmer Christopher Funderburg
Tickets: $6 (members), $10 (nonmembers) |
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SUNDAY BLOODY SUNDAY
Sept. 27, Oct. 2
John Schlesinger. 1971. 110 m. R. UK. MGM
"The acting is flawless.... Sunday Bloody Sunday is a masterpiece." (Roger Ebert)
This bold drama about the love triangle between a gay doctor (Peter Finch), a divorced working woman (Glenda Jackson), and a much younger, bisexual sculptor (Murray Head) was ahead of its time. In 1971 its first onscreen man-on-man kiss is what made headlines, but today its frank depiction of sexuality endures. Penelope Gilliatt's dialogue is "simultaneously rueful and funny, and as spontaneous as love itself " (New York Times). |
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MARTY Oct. 3, 4
Delbert Mann. 1955. 94 m. NR. US. MGM.
"Warm and winning." (New York Times)
In the heyday of the Hollywood Technicolor big-screen epic, UA made this low-budget black-and-white drama about a couple of social misfits. Much to everyone's surprise, it was a critical and commercial success, even taking home four Oscars. Screenwriter Paddy Chayefsky's solid dialogue is bolstered by powerful performances from Ernest Borgnine and Betsy Blair as the lonely souls who miraculously find each other and the joy and excitement of being in love. |
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LAST TANGO IN PARIS Oct. 3, 9
Bernardo Bertolucci. 1972. 136 m. NC-17. Italy/France, in French/English with subtitles. MGM.
"This must be the most powerfully erotic movie ever made, and it may turn out to be the most liberating movie ever made." (Pauline Kael)
In this '70s landmark, a grief-shattered American expatriate (Marlon Brando) and a young, soon-to-be-married Frenchwoman (Maria Schneider) meet in an empty apartment and plunge into a world of engulfing desire and frenzied, impersonal sex. Bernardo Bertolucci brilliantly captures one of Brando's rawest and most uncompromising performances. |
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SOME LIKE IT HOT Oct. 4, 5
Billy Wilder. 1959. 120 m. NR. US. MGM.
"One of the enduring treasures of the movies, a film of inspiration and meticulous craft." (Roger Ebert)
Billy Wilder's comic tour de force stars Jack Lemmon and Tony Curtis as unemployed musicians who witness a gangland murder. To escape the gangsters pursuing them, they hit the road - in drag - with an all-girl band bound for Miami. The ruse works pretty well until one falls for the lead singer (Marilyn Monroe) and the other catches the eye of an amorous gentleman millionaire (Joe E. Brown). Sharp wit and plain old slapstick both abound in one of the funniest movies ever. |
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THE THOMAS CROWN AFFAIR Oct. 4, 5
Norman Jewison. 1968. 102 m. R. US. MGM.
"A stylish caper adventure." (The Onion)
Approaching star status by this time, Steve McQueen played the rich and charming businessman Thomas Crown, the last person you'd think would be a bank-robbing mastermind. Faye Dunaway, as the insurance investigator assigned to the case, has got him in her crosshairs. Slickly shot by the great cinematographer Haskell Wexler, the film has steadily grown in popularity over the years. Two Academy Award nominations. |
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RAGING BULL Oct. 4, 7
Martin Scorsese. 1980. 129 m. R. US. MGM.
"The most highly regarded Hollywood movie of the past two decades. Every aspect of Martin Scorsese's formidable talent is working overtime - including Robert De Niro." (Village Voice)
The extraordinary collaboration of Martin Scorsese and Paul Schrader produced this gritty drama about the troubled prizefighter Jake La Motta. Robert De Niro famously inhabited the lead role, learning to box and gaining 50 pounds in preparation for his incredibly intense performance. Poetic, violent, profane, and shot in crisp black and white, Raging Bull set the standard for a whole new kind of movie. |
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THE MAGNIFICENT SEVEN Oct. 5, 8
John Sturges. 1960. 128 m. NR. US, in English/Spanish. MGM.
"Not only ludicrously enjoyable entertainment but also a superior and thoughtful character study." (BBC)
In this teeming adventure story based on Akira Kurosawa's The Seven Samurai, Yul Brynner plays a mercenary hired to protect a Mexican village from a gang attack led by a bandit (Eli Wallach). Brynner rounds up a gang of his own, the remaining "magnificent six" - played by Charles Bronson, Steve McQueen, Horst Buchholz, Robert Vaughn, James Coburn, and Brad Dexter - all of whom deliver career-making performances. One of the most entertaining westerns ever made. |
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FROM BACH TO GLASS: A FEAST FOR CLASSICAL MUSIC LOVERS Oct. 10 - 29
The glorious sounds and remarkable lives of Bach, Mozart, Glenn Gould, Yehudi Menuhin, Arvo Pärt, Philip Glass, and more
Note by Note: The Making of Steinway L1037 Oct. *10-14
*Opening Night Oct. 10 at 7:00 w/filmmaker and performance
The Silence Before Bach Oct. 15 & 18
Glass: A Portrait of Philip in Twelve Parts Oct. 17 & 20
Olivier Messiaen et le Oiseaux Oct. 17 & *21
*Oct. 21 at 7:30 intro by Michael Boriskin
Alexander Nevsky Oct. 18 & 23
Yehudi Menuhin: The Violin of the Century Oct. 19 & 21
Music From the Inside Out Oct. 19 & *22
*Oct. 22 at 7:30: w/musicians of the Westchester Philharmonic
The Master and His Pupil Oct. 24 & 27
Glenn Gould: Hereafter Oct. 24 & *29
*Oct. 29 at 7:30 Reel Talk w/Brian Ackerman
In Search of Mozart Oct. 25 & 28
Brief Encounter Oct. 25 & 28
Arvo Pärt: 24 Preludes for a Fugue Oct. 26 & 27
Tous les Matins du Monde Oct. 26 & 29
Glorious sounds will reverberate through the Burns in our crowded three-week series devoted to composers, performers, their instruments, and classical music. Films on Bach, Mozart, Glenn Gould,Yehudi Menuhin, Arvo Pärt, Philip Glass, and others will be seen - and heard! - along with Brief Encounter and Alexander Nevsky, two masterpieces that showcase the power of classical music scores in cinema.
Presented in Association with Copland House and The Westchester Philharmonic
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Support the JBFC and the Village Bookstore! Pick up a copy of Piano: The Making of a Steinway Concert Grand (Paperback)
by James Barron, in the theater lobby during the film's run. |
NOTE BY NOTE: THE MAKING OF STEINWAY L1037 Oct. *10-14
Ben Niles. 2007. 81 m. US. Argot Pictures.
Chronicling the meticulous construction of a single Steinway concert grand piano (#L1037), this new film is both surprising and joyful. A diverse collection of craftsmen, from Haiti and Croatia and Italy and Queens - some are musicians, and others are more interested in the Mets home opener - all play their parts in the creation of the soundboard, strings, keys, hammers, and the eleven thousand other pieces that come together to make up the famed Steinway. A glorious reminder of pride in craft and collaboration and of the critical line that separates the world of human work from automation.
*OPENING NIGHT Fri., Oct. 10, 7:00
A movie, a filmmaker, a pianist - and Steinway concert grand L1037
Live Performance: Acclaimed concert pianist and Copland House Executive Director Michael Boriskin will play the actual Steinway assembled in the film on our stage after the screening. Followed by a conversation with Boriskin and filmmaker Ben Niles.
Tickets: $15 (members), $20 (nonmembers)
Steinway Piano L1037 provided courtesy of Steinway Hall. |
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THE SILENCE BEFORE BACH
Oct. 15 & 18
Pere Portabella. 2007. 102 m. Spain, in Spanish/German/Catalan with subtitles.
"A mysterious, magnificent blend of drama, documentary, and quasi-surrealist whimsy." (New Yorker)
Through a series of vignettes, Pere Portabella uses J. S. Bach's works to look at the deep relationship between image and music across the centuries. In one scene of this provocative narrative-free mélange, a player piano plunks out the "Goldberg Variations" while moving itself around an empty loft; in another, Felix Mendelssohn rediscovers the manuscript of the "St. Matthew Passion" wrapped around meat at a market. A wildly unconventional film for the Bach lover. |
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GLASS: A PORTRAIT OF PHILIP IN TWELVE PARTS Oct. 17 & 20
Scott Hicks. 2008. 119 m. Australia/US. Koch Lorber Films.
"Surprisingly close-up portrait of a man typically heard much more than seen." (Boston Globe)
Exploring Glass's creative process in opera, concert, and film, this documentary is a uniquely intimate view of an inquisitive and deeply spiritual man. Filmmaker Scott Hicks presents candid scenes of the composer's personal and working life shot across three continents, from the Coney Island Cyclone roller coaster to an opera premiere in Germany to a performance with a didgeridoo virtuoso in Australia. Enjoyable cameos abound - including Woody Allen, Martin Scorsese, and Errol Morris, who quips that "Philip does existential dread better than anybody." |
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Photo: Private collection of Nigel Simeone
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OLIVIER MESSIAEN ET LES OISEAUX
Oct. 17 & *21
Denise Tual/Michel Fano. 1974. 80 m. France, in French with subtitles.
Messiaen blended elements of his passions - from his lifelong devotion to birds and birdsong to his powerful Catholic faith - to write completely original music full of color and beauty. His ear for birdsong was such that he could notate the most intricate avian trills and melodies; he integrated them into many of his compositions. We commemorate the 100th anniversary of his birth with this lovely, rarely seen documentary directed by Denise Tual, a patron of Messiaen's, and one of his students, Michel Fano, now a composer in his own right.
Screening courtesy of Delphine Selles and the French Ministry of European and Foreign Affairs.
*Oct. 21, 7:30: introduction by concert pianist and Copland House Executive Director Michael Boriskin.
Tickets: $6 (members), $10 (nonmembers) |
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ALEXANDER NEVSKY New Print!
Oct. 18 & 23
Sergei M. Eisenstein/Dmitri Vasilyev. 1938. 111 m. Soviet Union, in Russian with subtitles. Seagull Films.
On the eve of World War II, the great Russian director Sergei Eisenstein (Battleship Potemkin) and composer Sergei Prokofiev were whisked into service as Russia readied itself for battle - and so Alexander Nevsky, one of the most powerful and effective marriages of imagery and music, came to be. This stirring epic of Russians expelling invading Germanic hordes in the 13th century is noteworthy for its filmmaking alone, but Prokofiev's ominous, rousing, triumphant musical narrative propels it into the cinematic pantheon. The great conductor Valery Gergiev (see The Master and His Pupil), says that Prokofiev's music for this film is "the best ever composed for the cinema." |
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YEHUDI MENUHIN:THE VIOLIN OF THE CENTURY Oct. 19 & 21
Bruno Monsaingeon. 1996. 117 m. France, in English. Idéale Audience.
Filmmaker Bruno Monsaingeon, who knew Menuhin intimately, crafted this sweeping musical portrait of the great violinist, one of the titans of 20th-century classical music. Menuhin was the very definition of the cosmopolitan humanist, a man who traversed cultural, musical, and political boundaries: He recorded with Duke Ellington and Ravi Shankar and - firmly committed to the idea of internationalism in all things - was an outspoken advocate for human justice. Quite simply, one of the most extraordinary musical lives of the 20th century, beautifully presented. |
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MUSIC FROM THE INSIDE OUT
Oct. 19 & *22
Daniel Anker. 2004. 90 m. US. Daniel Anker.
"Captures the power of the creative process in an uncommonly perceptive and inspiring way." (New York Times)
Why make music? What is its relevance to our lives? Filmmaker Daniel Anker sat down with dozens of members of the Philadelphia Orchestra to ask these questions and explore the mystery and magic of playing music. A musical essay that evokes exhilarating response in audiences wherever it's shown.
*Q&A Oct. 22, 7:30: Musicians of the Westchester Philharmonic will discuss the film and the life of the ensemble player.
Guests:
Sandy Robbins, viola;
Lorraine Cohen, co-principal trumpet;
Sara Cutler, harp;
Lanny Paykin, cello;
Mary Whitaker, violin;
Jon Taylor, Artistic Administrator and former trombonist with the Philharmonic.
Tickets: $6 (members), $10 (nonmembers) |
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THE MASTER AND HIS PUPIL Oct. 24 & 27
Sonia Herman Dolz. 2003. 89 m. Netherlands, in Dutch/English with subtitles. Hasten Slowly Films.
Valery Gergiev is one of the most celebrated conductors in the world, having led orchestras and opera companies from London to St. Petersburg to New York. In this documentary we're given a rare, privileged seat at a master class in which the "madman of music" attempts to convey the elusive art of conducting to three young protégés. In the process we're initiated into the mysteries of the conductor, that ineffable mixture of interpreter, mentor, musician and collaborator - all bound with the iron conviction of a leader. Fascinating and mesmerizing.
Screening courtesy of Holland Film. |
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GLENN GOULD: HEREAFTER
Oct. 24 & *29
Bruno Monsaingeon. 2006. 106 m. France, in English.
Bruno Monsaingeon's gorgeous film about the late, great i | | |